- BROADWAY SHOW SLEEP NO MORE HOW TO
- BROADWAY SHOW SLEEP NO MORE PLUS
- BROADWAY SHOW SLEEP NO MORE PROFESSIONAL
The evolution of the space into a music venue is part of the show's constant updating.
BROADWAY SHOW SLEEP NO MORE HOW TO
"It's like the next generation of how to present a concert." "What they love is this idea of a totally different kind of gig, a totally different way of presenting of concert where your mind is completely blown, you don't know where you are but you're having this one-of-a-kind experience," he says. Hochwald says the musicians get excited about riffing off the noir vibe or Shakespearian themes explored by the show and by a space that includes a spooky cemetery, an indoor forest, a candy store and a cemetery, all beautifully realized. The Preservation Hall Jazz Band earlier this year wrapped up a 16-show residency, adding a jazzy mournfulness to the atmosphere. Songwriter and musicians Glen Hansard turned it into an Irish pub one night.ījork spun records in a private party in the creepy hospital during a stop on her latest tour, while Broadway legend Joel Grey celebrated his 80 birthday in the bar by getting up and singing the chilling "Willkommen" from the show "Cabaret," an event that participants said sent shivers down their spines. Everest and Skeleton Key had album launch parties there. The list of musicians embracing "Sleep No More" and its haunting space include John Legend, Wyclef Jean, Meshell Ndegeocello, David Garza, Dita Von Teese and the band Chairlift. The space inspired Perry Farrell, frontman for the alternative rock band Jane's Addiction, to renew his wedding vows in the bar after a show. The punk-pop singer Pink and Police drummer Stewart Copeland, each at different times, began jamming with the band.
BROADWAY SHOW SLEEP NO MORE PROFESSIONAL
The show, which doesn't advertise and relies on word-of-mouth, ends with an invitation to gather in the hotel's Manderlay Bar for a drink and to listen to the house band, an invitation some professional performers have found inviting enough to get up on stage themselves. About 25 performers act out mostly wordless scenes inspired by Shakespeare's play while dressed in 1930s outfits and giving off a film noir vibe. It houses the show "Sleep No More," a kind of art installation-meets-theater-and-dance piece with elements of both Shakespeare's "Macbeth" and Alfred Hitchcock.Ĭreated by the British theater troupe Punchdrunk, visitors are handed Venetian-style mask to wear and are encouraged to explore. "What surprised us is how versatile and open-minded not only the people are but the place is as well."īecoming a music venue wasn't necessarily a goal when the doors opened on three empty hulking warehouse spaces on 27th Street, a spot renamed the McKittrick Hotel. "This has taken on a life of its own," Jonathan Hochwald, a producer of the show, says. Now approaching its second year, "Sleep No More" has found itself evolving into a musical draw as well as a theatrical one. He joins a long list of musicians - from Bjork to Florence Welch - who have become part of the experience. So it comes as no surprise that he picked "Sleep No More" as one of the stops on his new tour promoting "Regions of Light and Sound of God," his first full-length solo album. James was so excited that he and some of the band returned the next night and he also came back a few months later. And you get a sense that you created your experience." Whether they all add up seems beside the point Sleep No More didn’t make its mark on compelling characters but an all-encompassing design and a full-throttle commitment to enthralling audiences."I've never experienced a piece of art like that before," James says by phone from Louisville, Ky.
The plots are elusive but heightened and engaging: follow a vengeful murder, a lusty ball, an intoxicating rave. The play moves in tidal currents: scenes breathe and fade, and audiences chase figures they find compelling, leading to a thrush of anxious attendees clutching one another as they chase durable characters and flimsy plots. That ease of losing yourself and others may feel welcome.
BROADWAY SHOW SLEEP NO MORE PLUS
Dress as you see fit it doesn’t quite matter what you wear before stepping into the space - audiences don masks (both the N95 and the masquerade kind) for increased anonymity - and the lights are so subdued that, even if you wish to tag along with your theatergoing plus one, you may quickly lose them in the incentive and labyrinthine set. The concept is 1920s hunted hotel: speakeasy bar, vested men, and glorious taxidermy. Keeping to this tragic play’s narrative seems secondary experience is key here, and the production packs it in. The cast of a dozen strong invites multiple trajectories: a murderer hungry for power (Macbeth), his wife who licks and cleans his bloody wounds (Lady M), and some carnal figures who initiate a strobe light-infused rave (the three witches, I assume).
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